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This portfolio is a unique collection of my work in that there is no cohesive theme or storyline to follow. Trained as a documentary photographer I have been primarily concerned with images of society that pull together to tell a story. For me this is photography in it's most potent and rewarding form. But I have long leaned toward the aesthetic side of the aesthetic and content equation because on that side lies complete freedom for the photographer. I have always struggled against this freedom believing that photographs of real worth must be comprised of both aspects of the equation.
Chronologically, this gallery begins in 1990 and continues to the present day. From my earliest dabbling days, when I pointed a camera at something just to see what would happen, to images that just aren't quite right for my book projects but that I love nonetheless, to images that I found during assignments for the Houston Press. |
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